Dear visitor, on this page you will find more information about the forgotten composers featuring our productions. This page will be updated frequently.
Henri Joseph Tobi (1741-1809)
Region: Low Contries
A forgotten virtuoso clarinettist from Antwerp
Tobi was first placed on the musicological map by Godelieve Spiessens, writing in the arts yearbooks of the province of Antwerp. Indeed the lifetime of research Spiessens has devoted to this period has been invaluable to this project, particularly as information about other composers has come to light as well.
Joannes Adamus Faber (ca. 1692-1759)
Region: Low Countries, Antwerp
The circumstances surrounding the composition of the Missa Maria
Assumpta by Joannes Adamus Josephus Faber (ca. 1692-1759) for the Cathedral of Our Lady in Antwerp in 1720, constitute one of the riddles of the development of the clarinet repertoire.
The handwritten score of this mass forms part of the exhibition of the Vleeshuis museum in Antwerp, where it is on loan from the Library Royal Conservatoire Antwerp (B-Ac ms.59708). It contains one of the earliest known parts for clarinet.
Joseph Ryelandt (1870-1965)
Region: Bruges, Flanders
‘A composer’. How else could we describe the professional activities of a man? On a professional level, Ryelandt did nothing except compose music from the last decade of the 19th century until his appointment as director of the Bruges conservatory in 1924.
Henri Joseph de Croes (1756-1791)
Region: Low Countries & Regensburg
The superb court library of the Thurn und Taxis family in Regensburg contains many musical treasures, including the music of the almost forgotten Belgian composer Henri Joseph de Croes. Given that he composed works for the clarinetto d’amore, an instrument that is also practically forgotten, he immediately becomes twice as interesting.
Amand Vanderhagen (1753-1822)
Region: Low Contries - Paris
An Imperial Clarinet Player
Born in Antwerp and trained in Antwerp and Brussels, Amand Vanderhagen would have a crucial role to play in the re-organization of the musical scene in Paris during the revolutionary period and the Empire.
Jean Antoine Tuerlinckx (1753-1827)
Region: Low Countries
The Tuerlinckx workshops were active in Mechelen successively under the Austrian, French and Dutch regimes but ceased trading in about 1840.